The Strange and Beautiful World of Bella Baxter Are on Full Display in 'Poor Things'
'The Marvels' Proves Laughter is the Best Medicine for Superhero Fatigue
'Priscilla' Lacks Pizzazz in Sofia Coppola's New Biopic
Paul Giamatti & Alexander Payne Reteam for One of the Best Movies of the Year in 'The Holdovers'
Review: Lily Gladstone Gives Humanity to Inhumane Story in 'Killers of the Flower Moon'
Review: There's No Pill Available to Make 'Pain Hustlers' Bearable
Review: Anna Kendrick's Directorial Debut 'Woman of the Hour' is a True Crime Chiller
Review: 'Quiz Lady' Elevates the Comedy Stylings of Awkwafina and Sandra Oh in Trivial Sibling Story
Review: 'Dumb Money' Invests in its Cast Without Dividends From the Script
Review: 'Fair Play' Shines an Erotic Light on Gender Dynamics in a High-Stakes Corporate Environment
Review: Eve Hewson and Joseph Gordon-Levitt Make Sweet Music Together in 'Flora and Son'
Review: Toby Wallace Dives Into Deep Waters With Ben Foster in Brian Helgeland's 'Finestkind'
Review: Jonathan Glazer's Holocaust Movie is a New Perspective in 'The Zone of Interest'
Review: Netflix's Thriller 'Reptile' Neither Slithers Nor Charms in TIFF Debut
Review: 'Blue Beetle' Battles Evil with Family and Community on its Side
Review: Randall Park Swings For the Fences in Directorial Debut 'Shortcomings'
Review: Tom Cruise Gives Us What We Want in "Mission: Impossible - Dead Reckoning Part One"
Review: "Indiana Jones and the Dial of Destiny" Says Goodbye to One of Film's Greatest Leads
Review: Jennifer Lawrence Bares It All For Comedy in "No Hard Feelings"
Review: "The Flash" Opens the Door For '90s Kids to Rejoice